You are currently viewing Review: An enjoyable operatic mass in Otley
Otley & Ilkley Choral Societies

Review: An enjoyable operatic mass in Otley

An enjoyable operatic mass in Otley

Review: Otley and Ilkley Choral Societies sing Rossini’s Petite Messe Solennelle, All Saints Parish Church, Otley, Saturday 19th November 2022

THERE is a long tradition of Italian opera composers tackling the setting of the words of the Latin Mass – Verdi and Puccini are notable examples. But perhaps the most extraordinary is the Petite Messe Solennelle written in his Paris retirement by Rossini. Described by the composer as among his ‘sins of old-age’, it combines a set of thoroughly operatic solo sections with several choruses of such rhythmic and chromatic complexity (marked from ff to pppp!) that they could only be accurately carried off by the originally-specified twelve-strong professional chorus. The accompaniment provided for the première – two pianos and a harmonium – is in line with such a domestic performance but gives extra problems when it is combined with large choral forces. The excellent accompanists on Saturday were Robin Cooke (piano) and Robert Sudall (harmonium).

Despite my reservations, the Otley and Ilkley Choral Societies, under their music director, Jennifer Sterling, gave a thoroughly rewarding performance of the mass. The whole piece has such an irresistible energy that even the occasional loss of precision towards the end of the fugal sections and some slight problems with balance between the parts could not spoil the audience’s enjoyment. The choir’s singing of the Sanctus and Agnus Dei were outstanding.

In this latter section they were joined by the contralto soloist, Beth Moxon, in an intense and affecting performance of the emotional heart of the work: her tone was beautiful right through to the bottom of her range. Charlie Drummond (soprano) also gave a polished account of the O salutaris and, together with Beth, a wholly satisfying rendition of their earlier duet, Qui tollis. Indeed the blend between the soloists in their trios and quartets was always well judged. The rich resonant bass of Paul Gibson shone out in the Quoniam and Tom Smith (tenor) gave a solid performance of the tricky Domine Deus solo.

It is always a pleasure to be part of the large and attentive audience for a concert with singers of this standard and a well-rehearsed choir. I look forward to the upcoming performance of Messiah in Ilkley.

Review from Wharfedale Observer https://www.wharfedaleobserver.co.uk/news/23139377.enjoyable-operatic-mass-otley/